Learning How to Color is a Never-Ending Process
The beautiful thing about coloring is that it can be as simple or as complicated as you want to make it. Either way, you can still come out with a great result. As a beginner, it's best to initially focus on laying down even, consistent colors in your coloring books. You're work may appear basic colored without any fancy coloring techniques, but as you practice you'll be able to incorporate more complex techniques and color combinations into your work. This guide will introduce you to a few practices and give you an opportunity to explore the technical aspects of coloring.
Getting bold, even colors with colored pencils can be difficult, even with Prismacolors or Faber Castell pencils. Beginners often find that their large back-and-forth strokes can be hard to hide. Different areas meet up at awkward angles, and can look patchy up against one another. There are certain techniques you can use to help solve this problem.
Hiding Pencil Strokes
Coloring in the same direction is quick, but changing direction often will give you a better result in the end.
Change Direction Often
Many colorists recommend coloring in small circles, and while this is a great method, it's not the only way to achieve even colors. The important thing is to return to old pencil strokes and go over them again, but in a different direction. If you always color back-and-forth as you move your pencil across the page, you end up with a grainy, directional texture in your colors. This is noticeable on its own, but becomes especially glaring when two different areas with different directional textures meet up.
Coloring in the same direction becomes problematic when two areas come together
So however you want to do it, always make sure to go back over your filled-in areas and lay down color in a different direction. The circle method achieves this quite nicely, as the tip of the pencil always tends to be moving in a different direction. This makes it easy to color around a corner or fill in large areas without it becoming noticeable.
There doesn't appear to be much difference at first...
...but the textures become visible when different areas meet up.
It seems tedious at first, but the circle method will keep your finished work looking crisp and clean. Coloring in the same direction is quick and will look good at first, but you may end up with a rougher result. Remember, the important thing is just to vary your pencil's direction, whether you use circles, figure eights, hearts, or whatever shape works for you!
If you plan accordingly, you can even use linear strokes in one area, and then use more linear strokes in a different direction to go back over the same area. This technique is called cross-hatching.
Getting Bold Colors
Many colorists eventually complain about the grainy white paper texture that always seems to remain in their art. This texture is mostly unique to colored pencils, since pens, markers, and other "wet" media are better at saturating the page with pigment.
The Tooth of the Paper
When you run a colored pencil across a page, the pigment core breaks into tiny particles that stick onto microscopic ridges on the paper. These ridges are called "teeth", and the amount of tooth a page has directly affects how much pigment can be applied to it. Pages with a lot of tooth have deep ridges that can be filled with more pigment. As a result, less whiteness shows through, and the colors appear bolder and richer.
The paper's tooth determines how much pigment it can ultimately hold
Tooth is not the only thing that determines how bold your colors will be. One of the most important factors in getting smooth colors is repetition. You'll need to go back over your work again and again to make sure you fill every last nook and cranny with pigment. It's easier to do this on pages with more tooth, since they can accept more pigment, but it's possible to do on normal copy paper with enough persistence.
Keep Your Colored Pencils Sharp
Keeping a sharp point on your pencil is the best way to force color into the tiniest cracks of the page. A fine tip means that you won't apply color to as large an area at once. However, it will also mean that you can force pigment deep into the areas that would otherwise remain white (and later create the white grainy texture you're trying to hide).
As you keep applying color to the same spot, you'll eventually get to the point where nothing more can be added. The area will take on a waxy shine and will have a different feel as you color over it. This technique is called burnishing.
Burnishing is a great way to get very solid colors with little to no graininess. However, once an area has been burnished, there's no going back. The page cannot accept any more pigment, so the burnished color is pretty much set in stone. Make sure you have the right shade and hue before you burnish the page.
Blending and Shading
One of the most popular colored pencil techniques that beginner colorists want to learn is blending. Blending involves creating a gradient where one color gradually becomes another. Shading is similar to blending, but involves a single color gradually becoming lighter or darker. The gradient refers to the actual transition - a gradient can be harsh and transition very quickly, or soft and transition over a longer period.
Advanced and intermediate colorists use blending and shading to add dimension to their coloring and prevent the final work from looking flat. You can use gradients to imitate the way light shines on an object, creating the illusion of depth. When done correctly, it can make a coloring page look amazing - but when done incorrectly, it often looks worse than an un-shaded piece. The important thing is to take your time, and practice often.
The simplest form of shading can be done with a single color, and involves varying the pressure you put on your pencil to apply more pigment to the page as you color across the gradient.
Use more pressure to apply more pigment to the page as you go across the gradient
You always want to work from the lighter area to the darker area when shading. It is simple to add pigment to the page if needed, but much more difficult to take it off. It can also be tough to hide your pencil strokes toward the lighter end of the gradient, since you're trying to avoid laying down too much color. You can't go back over your strokes to mask them since the area needs to stay light. A white colored pencil can come in handy to help hide those pencil marks in lighter areas.
Blending Multiple Colors
The same principles behind pressure shading can be used to blend two or more colors together. Simply fill the gradient with one color as you would when shading, then repeat the process for the other color on the opposite side. The most advanced colorists are masters of this art, and blend intriguing combinations of colors to get unique and eye-catching results.
Pressure shade from either side using a different colored pencils to blend two colors together
When blending, you also always want to move light to dark, but this refers more to the value of the colors. Adding a darker pigments on top of lighter ones tends to be much more effective than the other way around. Regardless of what colors you are blending, you'll most likely switch back and forth between the two quite before you're finished blending. If you're blending two very different colors together, you can use extra colors to correctly implement the corresponding color wheel transition. We'll get more into that in the next section
Blending With Solvents
To get the incredibly bold and vivid blends many colorists strive for, you're going to need something more than just colored pencils. You're going to need a solvent.
Solvents help move the pigment across the page, creating even blends and beautiful transitions. Some are used after the color is already on the page, and some are applied directly while coloring. The solvent provides a medium for the pigment to travel through, similar to how watercolors work. There are even watercolor pencils meant to blend this way. Solvents also help get the pigment into the tightest cracks between the teeth of the page, helping to remove the grainy texture from showing through.
Quick Tips to Improve Your Coloring Techniques
- Change up the direction of your strokes and go back over your work to create even and consistent colors that don't show pencil marks.
- Keep your pencil sharp in order to force pigment deep into the paper and get richer, bolder colors.
- Preventing the underlying color of the page from showing through takes a lot of time and repetition.
- Use pressure to add more pigment to the page when shading, but avoid applying too much too quickly. The tooth of the paper will only take so much pigment.
- Always apply the brighter colors first when blending. Darker pigments will show up clearly on lighter pigments, but it doesn't work as well the other way around.
- When blending, some find it easier to create several evenly-spaced blocks of color, each a slightly different color than the last. You then find yourself making many simple blends rather than one drastic blend. It also helps keep the transition evenly spaced.
Perfecting Your Coloring Skills
Practice is probably the best way to get better at the few coloring techniques we covered here, but you can also learn a lot by watching your fellow colorists. YouTube is going to be your best friend when it comes to seeing exactly how to apply certain techniques and discovering new ones to try out.
You can also enhance your coloring without improving your physical skills by learning a bit of color theory. A little knowledge of how colors play off one another can really help accentuate your work. However, creative coloring stands out more than strictly technical coloring, so don't be afraid to try out some color schemes that don't adhere to the color wheel.